Marketing at scale · founder-led

Supercharge your marketing,
at scale.

Not a handful of ads a month - hundreds. Finished stills and films built from your own product, in every native size, so your accounts test on real volume instead of reposting last month's winner. First cut in 72 hours.

Get your first ad free See the work

500 to 2,000+ stills · 15 to 100 films · every month

Fashion - studio demo. Vertical, sound-designed, feed-native: the format your buyer already scrolls.

1000+ finished creatives shipped across every brand we have worked on

72h from your brief to your first finished cut

1 visual language per brand - no templates, ever

01 - The films

Short-form, sound-designed,
built to stop a thumb.

Every second of this was made for a client brief or built in-house to prove a format. Tap any tile to watch it full size.

Jewellery - studio demo

Dining - studio demo

Fitness - studio demo

Homeware - studio demo

SaaS - studio demo

Café - studio demo

Beauty - studio demo

Ephoria - campaign ad

Hotel client - campaign reel

Ephoria - campaign ad

Hotel client - campaign reel

Ephoria - campaign ad

02 - The stills

One visual language per brand.
Never a template.

Feed, story and ad sizes, cut from a single art direction so the thousandth still looks like it came from the same studio as the first.

Product & campaign stills

Lifestyle & in-situ

Hospitality - full campaign systems

03 - How it works

Send a link. Get an ad.
Three steps, no meetings.

Step 01
Send a link

Your product page is enough to start. If you have photographs or footage, send those too - we build from your real product, never from stock or a generic template.

What we need: one URL. Ten minutes of your time, once.
Step 02
We build in 72 hours

Brief becomes a written direction board - hook, beats, cuts, sound - before a single frame is made. You see the board, then the first finished cuts, then the rest of the month's volume built on the same direction.

Direction board → first cuts → the month's volume.
Step 03
Run it, keep everything

Delivered in native sizes for feed, story and ads, with the source files. Yours forever, whether you stay a month or a year. Pause the plan whenever the shelf is full.

Native sizes · source files · yours to keep.

04 - The comparison

Four ways to get ads made.
Here is the honest table.

Filled in the way we would fill it in for a friend. We do not win every row - AI tools are faster and cheaper than we are, and we say so.

Compare us against

How Ephoria compares with hiring in-house, a big agency, and an AI ad tool
What you are deciding	Ephoria	In-house hire	Big agency	AI ad tool
Time to your first ad	Best. 72 hours	Worst. You have to hire first	Worse. Weeks, after onboarding	Best. Minutes
What it costs each month	Good. A flat plan, no setup fee	Poor. A full salary, plus software	Poor. Retainer, plus a setup fee	Best. The cheapest of the four
Made from your actual product	Yes. Always	Yes. Yes	Partly. Usually	No. Rarely
Who you actually talk to	Best. The person editing	Good. Your own employee	Poor. An account manager	None. Nobody
If you want out	Best. Pause any month	Hard. Notice, and a hard conversation	Hard. Whatever the contract says	Easy. Cancel anytime

An AI tool beats us on speed and price. It has never once seen your product. That is the whole trade, and it is the only row that matters after the first month.

05 - Plans

Plans measured in hundreds,
not handfuls.

Every plan is sized by what lands in your ad accounts each month - hundreds of stills and dozens of films, all cut from one art direction. Tell me where you run ads, how fast you test and where you are based, and the number comes back in your own currency. No setup fee, no minimum term, no per-asset invoicing. Your first ad is made before you pay anything.

Start here

The Engine

Hundredsof new ads a month, never a repost

For brands whose ad accounts use up creative faster than a team can make it. Enough finished volume to test hooks, angles and audiences every week, instead of reposting what worked last month.

From 500 stills and up to 15 films a month, rising to 1,000 stills and 30 films
Your split - weight it to stills or to film, and change it any month
Built from your own product, never stock
Native sizes for feed, story and ads
One visual language across every asset, never a template
First delivery in 72 hours from your brief

Start with a free ad

You see the number before anything is agreed, and nothing is agreed before you have a finished ad in hand.

The Build

Thousandsof ads, plus everywhere they run

For brands where creative volume is the ceiling on spend. You stop briefing creative and start reading numbers - the ads, the pages they land on, and the accounts they spend in, handled in one place.

1,500 to 2,000+ stills and 50 to 100 films a month
Everything in The Engine
Landing pages and stores, built for the ads that feed them
Meta and Google ads managed, not just made
Launch runs from the first asset to the live campaign
Direct line to the founder, all month

Talk it through

Volume, scope and price are set after I have seen your site and your accounts - tell me how you test and I will say what fits.

Volumes flex with your spend, month to month. Pause anytime, keep every file forever, first ad free before you pay anything.

First ad freeMade before money changes hands. Yours to run either way.

Pause anytimeNo contract, no notice period, no minimum term.

Yours foreverEvery file, every source, kept whether you stay or go.

06 - The founder

You will be talking
to me.

I am Badal Kariwal. I run Ephoria, and I build the work.

The person who reads your brief is the person who directs every ad. Not a salesperson who passes it on, not an account manager who forwards it, not a junior guessing at what you meant. You say it once, to the one person who decides what ships.

That is not a charming detail - it is the product. It is why the first cut lands in 72 hours instead of three weeks, why a thousand stills still look like one brand, and why the note you give on Tuesday is in the next batch. Founder-led direction on a production pipeline is the whole reason this works at this volume.

Brief me on Monday and see finished creative the same week. Most studios spend that week routing your feedback through three people. You will feel the difference on the first round.

Badal Kariwal · Founder · Ephoria

07 - Questions

The things you are
about to ask me.

What if I do not like the first ad?

Then you keep it, and you owe me nothing. That is the entire point of making it free - you lose nothing but the ten minutes it took to send me a link. If it is close but not right, tell me what is off and I will recut it. If it is simply not your taste, we shake hands and you still have a finished ad.

How is this cheaper than hiring or than an agency?

Because you are not paying for the parts you never wanted. An in-house creative is a full salary plus software, and they still cannot cover film, stills and pages on their own. An agency adds a setup fee, an account manager, and a team meeting you are quietly funding. Here there is one person, one pipeline and one flat monthly number - far below what either of those routes costs you, per finished ad. At hundreds of assets a month that gap gets wider, not narrower. You can stop it in a click.

Can you really make that many?

Yes - volume is what the studio is built for. The pipeline runs hundreds of stills and dozens of films a month without the thousandth asset looking rushed, because every piece passes the same gate: directed on paper first, built from your product, and killed if it is not good enough. More volume never means a lower bar. It means your accounts always have something new to test.

Is 72 hours a real number?

Yes - 72 hours from the brief to your first finished cut, not to a mood board or a call. It is the number the whole studio is built around: direction on paper first, then a production pipeline that does the repetitive work so the time goes into taste instead of file wrangling. If a brief is genuinely too big for 72 hours, I tell you that before you pay, not after.

Can I pause?

Any month, for any reason. Send a message before your renewal date and the plan stops - no notice period, no exit fee, no call where someone tries to save the account. Everything already delivered stays yours. Restart whenever the shelf runs empty; your brand direction is on file, so you do not start over.

Who actually does the work - is this AI?

Me, working through an engineered production pipeline that is AI-assisted. I would rather say that plainly than have you find out later. What that means in practice: the machine handles volume and repetition, and human taste is the gate - I direct every piece on paper before anything is generated, and I kill anything that is not good enough. Every asset is built from your product, your photographs, your footage. Nothing here is a generic template with your logo dropped on it, and the work on this page is what that pipeline actually produces.

What do you need from me?

A link to your product or site is enough to begin. If you have product photographs, existing footage, a brand guide or a competitor you admire, send them - they make the first cut sharper. If you have none of it, that is normal and it is not a blocker. Ten minutes of your time, once, and I will come back with something finished.

Is there a contract or a lock-in?

No contract and no minimum term. Plans are month to month, billed in USD, and you keep every file forever regardless of how long you stay. The only commitment on this page is mine: an ad, free, before you spend anything.

08 - The journal

What it costs, what the rules say,
how to buy it well.

Written for the person who signs off on ad creative in the US: prices in dollars, the rules that bind an advertiser, the paperwork, the time zones. By the person who builds the ads.